Ouverture
Ouverture
Dear friends,
Isn’t music a whirlwind of emotions? Much like a stroll through a fairground, in a single evening, we can move from euphoria to nostalgia, from gentle pauses to thrilling energy. That’s the beauty of it – music doesn’t stand still, and neither do we.
The second issue of La Colonne for this Autumn follows that same spirit. Step behind the scenes and a little closer to the music, the musicians, and the people who bring it all to life. Through articles, videos, and podcasts, you’ll discover stories from the road, glimpses into our archives, reflections from artists, and personal recommendations from our team – each offering a new perspective, each opening a different door.
I am especially pleased to welcome our new Music Director, Martin Rajna. It is rare for such a young conductor to possess such a clear vision. In Martin Rajna, the Luxembourg Philharmonic welcomes a remarkable artistic figure, driven by a maturity and sensitivity that elegantly builds on the momentum of recent years, whilst delicately sketching out new horizons. In this edition he tells us more about his path and perspectives here.
«Music doesn’t stand still, and neither do we.»
Mountains may stand as borders, but they also connect cultures and their music. This idea lies at the heart of Atlas, our new series exploring North Africa’s rich artistic landscape. It echoes too in works of profound emotional weight, such as Benjamin Britten’s War Requiem, a moving call for peace that deeply resonates today. It continues in Stravinsky’s The Soldier’s Tale, brought to life with puppet theatre by the late German visual artist Georg Baselitz.
And there’s plenty more to discover: from the story of a toy piano to life on tour, a playful flash interview, and even a quiz on composers and their sense of humour.
Enjoy the read – and let this magazine accompany you over the coming months, through every twist, turn, and emotion.
Stephan Gehmacher
General Director, Philharmonie Luxembourg
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